Thinking about Music Cities: Tales from England, Finland and Scotland

Kirjoittajat

DOI:

https://doi.org/10.23985/evk.115121

Avainsanat:

music city, anthropology, cultural history, cultural politics

Abstrakti

How should music cities be analysed? Based on the long and varied experiences of the authors, this article examines the merits of three different approaches – anthropologically, via cultural history and politically. It aims to remind researchers and students of the importance of methodologies and local contexts. As cities may be musical in different ways, so they may be analysed in different ways and we invite readers to consider how best to listen to musical cities – and to learn from them.

Cover image: Turku, Carta Marina 1539.

Lähdeviitteet

Anderton, Christopher (2007) (Re)Constructing Music Festival Places. Swansea: University of Wales. PhD thesis. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549662.

Andrews, Aaron (2018) Decline and the City: The Urban Crisis in Liverpool, c. 1968–1986. University of Leicester: Unpublished PhD thesis.

Baker, Andrea (2019) The Great Music City. London: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96352-5

Ballico, Christina & Watson, Allan (eds.) (2020) Music Cities: evaluating a global policy concept. London: Palgrave Macmillan. https://doi.org/10.1007/978-3-030-35872-3

Barr, Kenneth (2016) Music Copyright in the Digital Age. PhD Thesis. Glasgow: University of Glasgow. https://theses.gla.ac.uk/7752/.

Behr, Adam & Cloonan, Martin (2020) “Going spare? Concert tickets, touting and cultural value”. International Journal of Cultural Policy 26:1, 95–108. https://doi.org/10.1080/10286632.2018.1431224

Belchem, John (2000) Merseypride: Essays in Liverpool Exceptionalism. Liverpool: Liverpool University Press.

Bolland, Tony (2006) Plug Inn: The book (the forgotten years). Liverpool: Tony Bolland.

Botta, Giacomo (2020) Deindustrialisation and Popular Music. Punk and ’Post-Punk’ in Manchester, Dusseldorf, Torino and Tampere. London: Rowman & Littlefield International.

Brusila, Johannes (2021) “Negotiating Major and Minor Structures: Popular Music and the Swedish-Speaking Minority in Finland”. Made in Finland. Eds. Toni-Matti Karjalainen & Kimi Kärki. New York: Routledge, 83–93. https://doi.org/10.4324/9780429277429-6

Bruun, Seppo & Lindfors, Jukka & Luoto, Santtu & Salo, Markku (1998) Jee jee jee. Suomalaisen rockin historia. Porvoo: WSOY.

Chambers, Iain (1985) Urban Rhythms: Pop Music andf Popular Culturer. London: Macmillan. https://doi.org/10.1007/978-1-349-17818-6

Cloonan, Martin (2020) “Trying to have an impact: Some confessions of a live music researcher”. International Journal of Music Business Research 9:2, 58–82.

Cloonan, Martin (2011) “Researching Live Music: Some thoughts on policy implications”. International Journal of Cultural Policy 17:4, 405–420. https://doi.org/10.1080/10286632.2010.544728

Cloonan, Martin (2007) Popular Music and The State in the UK. Aldershot: Ashgate.

Cohen, Sara (2012) “Bubbles, Tracks, Borders and Lines: Mapping popular music, genre and urban environments”. Journal of the Royal Musical Association 137:1, 135–171. https://doi.org/10.1080/02690403.2012.669939

Cohen, Sara (2007) Decline, Renewal and the City in Popular Music Culture. Guildford: Ashgate.

Cohen, Sara (1994) “Identity, Place and the ‘Liverpool Sound’”. Ethnicity, Identity and Music: The musical construction of place. Ed. Martin Stokes. Oxford: Berg, 117–134.

Cohen, Sara (1991) “Popular Music and Urban Regeneration: The music industries on Merseyside”. Cultural Studies 5:3, 332–346. https://doi.org/10.1080/09502389100490281

Competition Commission (2009) Ticketmaster Entertainment / Live Nation, Inc. merger inquiry. London: Competition Commission.

Connell, John & Gibson, Chris (2003) Sound Tracks. London: Routledge.

Finnegan, Ruth (2007 [1989]) The Hidden Musicians. Music-Making in an English Town. Middletown: Wesleyan University Press. https://doi.org/10.4324/9780203448397

Dahlström, Fabian & Salmenhaara, Erkki (1996) Suomen musiikin historia 1. Ruotsin vallan ajasta romantiikkaan. Helsinki: WSOY.

Forman, Murray (2002) The Hood Comes First: Race, Space, and Place in Rap and Hip-Hop. Middletwon, CT: Wesleyan University Press.

Frith, Simon & Brennan, Matt & Cloonan, Martin & Webster, Emma (2021) The History of Live Music in Britain, Volume 3: 1985–2012. From Live Aid to Live Nation. London: Routledge. https://doi.org/10.4324/9781315557168

Frith, Simon & Brennan, Matt & Cloonan, Martin & Webster, Emma (2019) The History of Live Music in Britain, Volume 2: 1968–1984. From Hyde Park to the Hacienda. London: Routledge. https://doi.org/10.4324/9781315557175

Frith, Simon & Brennan, Matt & Cloonan, Martin & Webster, Emma (2013) The History of Live Music in Britain, Volume 1: 1950–1967: From The Dance Hall to the 100 Club. Farnham: Ashgate.

Gillett, Charlie (1970) Sound of the City. New York: Pantheon.

Grönholm, Pertti (2017) “Konemusiikin pieni suurkaupunki – tanssijuhlia, listahittejä ja maanalaisia sankareita”. Toisen soinnun etsijät – Turkulaisen popmusiikin villit vuodet 1970–2017. Eds. Pertti Grönholm & Kimi Kärki. Turun Historiallinen Arkisto 70. Turku: Turun Historiallinen Yhdistys, 199–222.

Grönholm, Pertti & Kärki, Kimi (2017) ”Sointujen tekijöitä ja äänen polyfoniaa”. Toisen soinnun etsijät – Turkulaisen popmusiikin villit vuodet 1970–2017. Eds. Pertti Grönholm & Kimi Kärki. Turun Historiallinen Arkisto 70. Turku: Turun Historiallinen Yhdistys, 11–26.

GUCM (2008) Glasgow UNESCO City of Music Application Dossier. Glasgow: Glasgow City of Music.

Harkins, Paul (2012) “Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings”. Popular Music and Society 35:5, 629–49. https://doi.org/10.1080/03007766.2012.709664

Hennion, Antoine (2003) ”Music and Mediation: Toward a New Sociology of Music”. The Cultural Study of Music: A Critical Introduction. Eds. Martin Clayton, Trevor Herbert & Richard Middleton. London: Routledge, 80–91.

Hirn, Sven (1997) Sävelten tahtiin. Populaarimusiikki Suomessa ennen itsenäisyyttämme. Kansanmusiikki-instituutin julkaisuja 44. Jyväskylä: Gummerus.

Holt, Fabian & Wergin, Carsten (eds.) (2012) Music Performance and the Changing City: Post-industrial Contexts in Europe and the United States. London: Routledge. https://doi.org/10.4324/9780203078921

Homan, Shane & Cloonan, Martin & Cattermole, Jennifer (2015) Popular Music Industries and the State: Policy Notes. London: Routledge. https://doi.org/10.4324/9780203505700

Homan, Shane & O’Hanlon, Seamus & Strong, Catherine & Tebbutt, John (2021) Music City Melbourne: Urban Culture, History and Policy. London: Bloomsbury. https://doi.org/10.5040/9781501365737

Into, Markku & Komulainen, Matti & Laiho, Antero (1995) Ruisrock ensimmäiset 25 vuotta. Helsinki: Tammi.

Järvelä, Jukka (1997) Homma kävi: erään pikkukaupungin pophistoria. Hämeenlinna: Karisto.

Kallioniemi, Kari (2020) “Mary Hopkin impersonators and Finnish mods: The adoption of British Invasion-era pop music in Finland” Made in Finland. Eds. Toni-Matti Karjalainen & Kimi Kärki. New York: Routledge, 99–110. https://doi.org/10.4324/9780429277429-7

Karttunen, Antero (1996) “Editorial”. Finnish Music Quarterly. Special issue Meet Musical Turku 1/96, 2.

Komulainen, Matti & Leppänen, Petri (2009) U:n aurinko nousi lännestä: Turun undergroundin historia. Turku: Sammakko.

Krims, Adam (2007) Music and Urban Geography. London: Routledge.

Käpylä, Tiina (2018) Bändissä ja Vimmassa. Sosiaalinen sukupuoli arjesta esiintymislavalle turkulaisten nuorten bändiharrastuksissa. PhD thesis, Annales Universitatis Åboensis -Ser. C Osa – Tom. 460. Scripta Lingua Fennica Edita. Turku: University of Turku.

Laiho, Antero & Andersson, Iiro (2012) Föribeat: turkulaisen rockin arkeologiaa 1956–1969. Turku: Föribeat Kustannus.

Lashua, Brett & Spracklen, Karl & Wagg, Stephen (eds.) (2014) Sounds and the City: Popular Music, Place and Globalisation. London: Palgrave MacMillan. https://doi.org/10.1057/9781137283115

Lashua, Brett & Thompson, Paul (2016) Journal of the International Association for the Study of Popular Music. IASPM@Journal vol.6 no.2, 70–90. https://doi.org/10.5429/2079-3871(2016)v6i2.5en

Lewis, Richard D. (2005) Finland, Cultural Lone Wolf. London: Intercultural Press.

Lukes, Steven (1974) Power: A Radical View. London: Macmillan. https://doi.org/10.1007/978-1-349-02248-9

McCracken, Ed (2004) “Mercury rising”, Sunday Herald, 12 September.

Mattila, Ilkka (2011) “Turku musiikkikaupunki”. Helsingin Sanomat NYT-liite, Toukokuu 2011.

Marszalek, Julian & McDermott, Christine (2015) “Things Learned At: Liverpool Psyche Fest”. The Quietus. October 1st, (Accessed 23.4.2021).

Murden, John (2006) “’City of change and challenge’: Liverpool since 1945”. Liverpool 800: Culture, Character and History. Ed. John Belcham. Liverpool: Liverpool University Press, 393–485.

Negus, Keith (1999) Music Genres and Corporate Cultures. London: Routledge.

Negus, Keith (1992) Producing Pop. London: Edward Arnold.

Onninen, Oskari (2020) “Viikonlopuksi listakärkeen?” Helsingin Sanomat 11.11.2020, B1–B2.

Parkinson, Michael & Bianchini, Franco (1993) “Liverpool: A Tale of Missed Opportunities”. Cultural Policy and Urban Regeneration: The West European Experience. Eds. Franco Bianchini & Michael Parkinson, Manchester: Manchester University Press, 155–77.

Pitkälä, Pekka (2017) “Progen harvat ja valitut”. Toisen soinnun etsijät – Turkulaisen popmusiikin villit vuodet 1970–2017. Eds. Pertti Grönholm & Kimi Kärki. Turun Historiallinen Arkisto 70. Turku: Turun Historiallinen Yhdistys, 295–303.

Niemi, Jussi (1998) “Rock According to Tampere”. Finnish Music Quarterly. Special issue Tampere – From factory chimneys to culture palaces 1/98, 26–35.

Porter, Hugh (2004) “Glasgow: A scene gets heard”. Time, 22 August.

Regev, Motti (2006) “Introduction”. Popular Music 25:1, 1–2. https://doi.org/10.1017/S0261143005000681

Savolainen, Panu (2021) Matkaopas 1700-luvun Turkuun. Turku: Sammakko.

Scott, Derek (2008) Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna. New York: Oxford University Press.

Silas, Petri (2005) “The Kalevala and Prog Rock”. Inspired by Tradition. Kalevala poetry in Finnish music. Eds. Jutta Jaakkola & Anne Toivonen. Jyväskylä: Gummerus, 130–131.

Skaniakos, Terhi (2010) Discoursing Finnish Rock: Articulations of Identities in the Saimaa-ilmiö Rock Documentary. PhD thesis. Jyväskylä: Jyväskylä University Printing House.

Street, John 1995. “Dislocated? Rhetoric, politics, meaning and the locality”. Popular music: Style and identity. Eds. Will Straw & Stacey Johnson & Rebecca Sullivan and Paul Friedlander. Montreal: Centre for Research on Canadian Cultural Industries and Institutions.

Sutinen, Ville-Juhani (ed.) (2011) Mitä Turku 2011 tarkoittaa? Turku: Savukeidas.

van Elderen, Louis (1994) “Finnish popular music, culture, and national identity. Some questions by an outsider”. The Finnish Yearbook of Ethnomusicology, Vol. 6, 50–65. https://doi.org/10.23985/evk.101039

Vienonen, Mikko & Lähteenmäki, Timo (2009) Koit ny rauhottu! Tositarinoita pop-villitysten tulosta pikkukaupunkiin. Helsinki: Kustannusosakeyhtiö Teos.

Webster, Emma & Brennan, Matt & Behr, Adam & Cloonan, Martin with Ansell, Jake (2018) Valuing Live Music: The UK Live Music Census 2017 Report. http://uklivemusiccensus.org/wp-content/uploads/2018/03/UK-Live-Music-Census-2017-full-report.pdf.

Williamson, John & Cloonan, Martin & Frith, Simon (2003) Mapping the Music Industry in Scotland: A Report. Glasgow: Scottish Enterprise.

Zukin, Sharon (1989) Loft Living: Culture and Capital in Urban Change. New Brunswick: Rutgers University Press.

Zukin, Sharon (1995) The Culture of Cities. Oxford: Blackwell.

Turku, Carta Marina 1539.

Tiedostolataukset

Julkaistu

2023-12-07

Viittaaminen

Kallioniemi, K., Cloonan, M., & Cohen, S. (2023). Thinking about Music Cities: Tales from England, Finland and Scotland. Etnomusikologian vuosikirja, 35, 182–206. https://doi.org/10.23985/evk.115121

Numero

Osasto

Artikkelit