Performatiivista viestintää
Palestiinalaisten vastarinta, hiphop-musiikki ja kyberavaruuden performanssit
DOI:
https://doi.org/10.23985/evk.149407Avainsanat:
Palestiina, hiphop, diaspora, retoriikka, performatiivisuus, intersektionaalisuusAbstrakti
Tutkimus käsittelee performatiivista palestiinalaisen vastarinnan hiphop-musiikin kautta tapahtuvaa viestintää keskittyen rodun, luokan, sosiaalisen sukupuolen ja seksuaalisuuden risteyskohtiin sekä kulttuuristen esityspaikkojen teoretisointiin (theorizing cultural sites of performance). Kirjoittaja esittelee neljä vastarinnan osa-aluetta palestiinalaisessa hiphop-musiikissa yhdistäen ne samalla omaan esittäjän ääneensä. Tavoitteena on luoda palestiinalaisten kanssa globaalia yhteyttä ja vuorovaikutusta performanssin kautta – elivätpä he sitten diasporassa tai Palestiinassa – sekä käsitellä samalla suurempia vallitsevia rakenteita.
Artikkelin teemakuva: Shadia Mansour ja M1 kappaleen "Al-Kufiyyeh 3Arabeyyeh" videolla. Kuvakaappaus YouTubesta.
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